duminică, 12 aprilie 2026

My interview with my publisher, Europe Books


Today we talk about The Riviera Caper, a book by Rhys Sterling published with our publishing house Europe Books.

Europe Books had the pleasure of interviewing the author Rhys Sterling to get to know him better, where he found the inspiration to write his novel The Riviera Caper, as well as how his passion for writing started.

Q: Where did you find the inspiration to write your novel?

 A: Ideas came to me naturally, and I find it easy to elaborate on them. I don’t find my inspiration in my own life, in the sense that the narrative it’s not derived from my actual life; it is a work of fiction. Nevertheless, one’s own real experiences have a way to seep into the fiction. Consequently, while remaining in the imaginary realm, the writer’s tastes, ideas, preferences, happenings, might permeate into the epic, although the intention was never to report on his own living. We thus can say that, inevitably, there is an inspiration coming from the body of knowledge obtained from what the writers experienced and lived. Apart from this, I drew my inspiration from reading. It doesn’t mean that I borrow ideas from other authors, but that the reading activity transposes me into a creative state of mind. When the mood sets in, the inspiration automatically enhances several-fold.

Q: What is the message you want to send out with your writing?

 A: I started out to write a book one could take to the beach during holidays to read it while getting a tan. Maybe even on the French Riviera, the locale of this novel. And have fun out of reading it. Of course, there is a message the book sends out. That is to be adventurous, live life to the fullest, get out of your shell and do not always seek the material side of life. Formally, the novel it’s an action book, a caper, but it is intertwined with a love story scrutinized with such minutiae that almost takes over as the main theme of the book. The book’s scope is even much larger than the caper and the love story. It encompasses aspects of coming of age, of finding the hero’s place in the world following university graduation, of lifestyle, ideas and dreams, the readers being presented with the main character’s microcosm, which is positive and full of hope.

Q: How did your passion for writing start?

A: The passion for writing – I guess I always had it in me. I thought of myself as a potential writer ever since the high school. I even fancied the thought of studying literature at the university. But pragmatism won, I went on to the law school instead and other activities took priority in life; I had to put off indefinitely the beginning as a writer. I went into various legal fields and built a career there. I did write occasionally, but only scientific papers. The thought of me becoming a writer still lingered on all these years. Much later I revisited my ambitions to become a writer and I ascertained I still had the drive. I decided to give it a go. So, I started writing without pressure, without a timetable, just to see where this new activity will get me. It led me to the completion of this first book, with which I am very satisfied. The journey was enjoyable and left me with the desire to repeat the feat.

Q: How was your publishing experience?

A: It was wonderful. I endorse Europe Books, my publisher, whole-heartedly. They gave me the opportunity to make my literary debut. Their approach does not involve an agent, but a direct one-to-one working relationship and comprehensive assistance throughout the publishing process. They do all the work usually expected from a literary agent on top of the publishing operations. It is a great plus for writers, whose only care remain to get the writing done. I could concentrate on this and I am very pleased with the publisher. I hope to continue the collaboration with my future novels. The timeframe they laid out was also advantageous and fast. All the steps involved were completed promptly, on time and professionally. Of course, none of these are of any use if the writer does not put in the hours, doesn’t do the hard work, doesn’t persist and doesn’t overcome the occasional hiccup and writer’s block. But if one commits to getting the job done, their expertise in publishing will prove a great help and very valuable.

Q: Are you planning to write more books? Can you tell us more about it?

A: Definitely. This book will have at least a sequel, I hope to finish it by autumn. The tables turn in the second book. The villain, let’s call him like this, Tanaka, seeks to get even with the hero of the current book and forces him to do a job in England. That’s why the prospective novel it’s called provisionally “The English Job”. Without unravelling too much of the plot, I can tell you that the story involves football, bet fixing and high stakes, has fast paced action and narrates some imaginative work from Jay. Maybe this first book will even turn into a series, as I envisage a third novel in which I’ll pitch the both of them, by then reconciled, against “the world” so to speak, flaunting the laws and trying hard to make their own luck. It hasn’t got a definitive plan yet so I can anticipate only with the title – “The Belgian Heist” – and the basic idea of the book: they get together to make a big and spectacular score.

luni, 9 martie 2026

Am debutat literar: mi-a aparut primul roman, “The Riviera Caper”


Debutul meu editorial s-a realizat in Vest, in limba engleza. Romanul este unul de aventuri si se intituleaza “The Riviera Caper”. L-am publicat sub pseudonimul Rhys Sterling (sugerat de IA). Actiunea se petrece pe Riviera franceza, scrierea facand parte din subgenul "caper" al genului "crime&mystery".
Iata rezumatul care se gaseste pe coperta cartii:
On the sun-drenched edge of the French Riviera, chance is never accidental.
Jay Jones arrives in Southern France carrying little more than a backpack, a restless past, and a fierce desire for freedom. A former footballer, minimalist drifter, and reluctant law graduate, Jay is searching for a life untouched by debt, routine, and compromise. What he finds instead is Sophie Durant— an ambitious Nice-based lawyer whose ordered world collides spectacularly with his own when a roadside accident brings them together.
Their encounter ignites more than attraction. Against a backdrop of Mediterranean beauty, social inequality, and quiet disillusionment with modern life, their stories intertwine—two outsiders shaped by different systems, yet driven by the same hunger for meaning, independence, and adventure.
The Riviera Caper is a sharp, atmospheric novel about escape and reinvention, where romance meets social observation and idealism clashes with reality.
Moving from American highways to European coastlines, it explores freedom, class, ambition, and the seductive illusion of starting over.
Witty, reflective, and unapologetically human, this is a story about what happens when life veers off course—and why sometimes, that’s exactly where it’s meant to go”.
Rhys Sterling is a lawyer from Cluj-Napoca, Romania, and The Riviera Caper is his debut novel”.
Romanul poate fi achizitionat de pe pagina de autor a editurii Europe Books. Se gaseste la link-ul: https://www.europebookstore.com/products/the-riviera-caper-rhys-sterling/

vineri, 16 ianuarie 2026

Beware of Witkoff, the feeler of the Emperor


Steve Witkoff, President Trump’s fixer, has entered the Iran mess and was recently talking to Iran’s leaders. That means Trump wants to feel the opponents and has sent his most capable feeler.
And the results were immediate. Iran renounced its position of force, gained with a lot of efforts, and is about to let the Mossad agents, the US agents and all kinds of turbulents go scat free, instead of hanging them. This is another goodwill gesture like many nonsense inactions offered by stupid Russian leadership who obeyed its own self-set constraints even when Ukrainians were openly pissing on these “overtures”.
But while Russia didn’t risk anything, apart from making themselves, encore, the laughing stock, the Iranians are at a serious peril. Their population perceives that the regime is trying to appease the Americans, Witkoff’s actions and Trump’s statements have a visible impact. The next color revolution will be much harder to tame; and this one was brought in a taming position with immense exertions.
“America helps us”, “America can help”, are tropes that inculcates themselves into the Iranian psyche as we write. This rises the bar a few notches. The secret subversion of Iran gains a new amplitude.
Cynically, the US blockades a country, squeezes its economy, pauperizes large masses and then suddenly they propose to lift the sanctions “if”. This fake promise dangled in front of starving hordes makes them revolt, most often violently. But: the US never actually lifts sanctions, no matter the concessions made.
America deprives the foreign population of food and all sorts of livelihoods and then they pose in saviors and stupid masses can’t tell the fakeness of the US’s playbook.
The Iranian regime now plays to the American tune. They defended well and with considerable effort, that they will not be able to replicate at the next uprising. The duped masses now firmly believe that their provoked revolt is 1. justified and 2. has good chances of succeeding courtesy of America. An America that has no qualms in shooting the protesters via agents on place and blaming the Iranian government (same as Maidan and other color revolutions).
Moreover, the Iranians are not shielded - by such supposed de-escalation measures – against an attack from America. Trump gave them a lot of assurances just before the previous huge bombings. Déjà vu. History is about to repeat itself? Watch out for Saturday, as Trump seems big on numerology; also, all his attacks were on non-trading days, i. e. the week-ends…
Witkoff, as we know, has been Trump’s diplomatic fixer, starting with Gaza (which is still unsettled and in limbo) and Ukraine. In Gaza, he got the hostages, alive and dead, freed, produced a fake peace in which Palestinians are killed and Israel acts with total impunity.
In Ukraine, he read Russians like open books.
Trump enjoys being considered erratic (“TACO”), quirky, capricious. His entourage also encourage this mis-perception. But they all act rationally and cunningly. They are not geniuses, but are not dupes.
Americans, especially frat-boys like Rubio and Hegseth, are adept at reading the other guys. All fraternity players play poker, that implies putting on a “poker face” (a mask) and trying to take out the mask of the adversary, i. e. to read it. Poker is a card game; Trump constant reference at having or not having cards denotes that they think in such terms among themselves.
When they graduate and move on to other things, their reflexes stay with them. Of course, they are just beer belching fraternity guys but they have these two dissimulative practices interiorized.
Furthermore, Witkoff is a businessman who made it in that tough world. He works also with masks and reading, but his job implies taking deception, theatrics and acting to a new level.
In a war, it’s paramount to read your opponent. Take Putin. You put out feelers, to feel the other party, the opponent, is really Putin the same idiot conned by nobodies Merkel and Hollande, or that was just an isolated self-defeat?
Witkoff was just a feeler. And he felt the crap out of the Russians. Out of the Europeans, too: they pay through their noses, they destroy their own industry like there’s no tomorrow and they will still suffer a huge loss: bye bye Greenland.
Now Nabiullina and Dimitriev come into play. Nabiullina lost 300 billion dollars out of sheer stupidity (and snobbism, she tried to ape the Westerners and sit at their table, just as all complexed Russians dream). Her pathetic attempts at “recovery” (stupid arbitrage request to be discarded on a forum non conveniens defense) didn’t help, but further undermined her, since they were absolutely pathetic. Idiot Putin kept her in her place, thus completely transferring all her errors to himself. He became the joke, instead of/along Nabiullina. Dimitriev also blundered galore. He was candid with Witkoff, sent to feel the Russians. Witkoff not only correctly read Dimitriev as being very stupid, but made him draft the 28-point moronic plan that self-declared Russia as heavily defeated and getting nothing while losing big. Thus Witkoff had a written proof to convince his principals that they deal with stupidity from Russia’s part.
These two events that are huge, colossal, we’re talking about events of epic proportions, that made the Russians the laughing stock of all the world.
After feeling the Russian idiocy, the Americans felt reassured and went on to grab assets and positions and better situate themselves: Venezuela, Iran, Greenland (soon Mexico?); meanwhile Russia is still quagmired in its precarious position in an existential war.

sâmbătă, 10 ianuarie 2026

The Dimitriev Effect

America acts more rational than the Russians or Europeans. Even in regard with China, the US acts conscientiously and calculated.

The US has constantly probed the extent to which it can act and after finding the margins of their leeway, they acted accordingly. As a bonus, with every "crazy" act, America chips away from other spheres, be them territorial, commercial, military.

It's not about some TACO erratic impulsive capricious flexing of the muscles, it's about testing the boundaries.

America was instantaneously freed from any real need of sounding its permissible scope by the Russian redacted 28-points "peace" plan. I call it "The Dimitriev Effect". The effect was that for the US anything goes and that Russia has placed itself in the position of kowtowing to the Americans.

Nobody really read attentively the so-called plan. The only honest person in this regard was Kaja Kallas (stupid people are usually candid too) who admitted she hasn't read the plan but heard a lot of rumors it was bad...

Did Trump read the plan? Did he understand it? I believe yes, but it doesn't matter. He had Witkoff to read it for him and to give him first hand feedback.

The 28-point plan was calamitous for Russia, it included no recognition of territories in former Ukraine, an express precarious status (de facto) for all of them, the ceding of all 300 billion dollars lost by idiot Nabiullina (I guess nobody pretend anymore that Russia would ever see a dime from that) to America, implicit permission for the US (and other states I would say) to station troops and armament in Ukraine, rights of exploitation in Ukraine and even Russia.

Trump understood from this that he is the new Russian idol, to whom they were willing to strip themselves of everything that could be turned into offerings. Russia showed its hand and that hand indicated they were expected just to be servile and submissive in exchange on a pat on the back or a tiny smile from the big Don.

From there on, he correctly assessed that he has free hand in every matter Russia might have opposed.

So he captured the president of Venezuela, went along with the CIA+Mossad plan of a "revolution" for changing the Iranian regime, blockaded everyone everywhere (what a nice occasion was procured for him by the changing of the flag of the vessel seized to a Russian one), and, of course, will soon get - one way or another - Greenland. He made his overtures and just lets them sinks with the Europeans. Same as he did with the Russians.

It's not that Americans are great and intelligent, it's that the top Russian brass is that stupid (as personified by the consummate imbeciles Nabiullina and Dimitriev) and longing for the Don's validation.

The current Americans aggressiveness comes from Russia's gross mistakes.

Like any entity searching appreciation, of course the Russians could have a fit of hysterical outburst. That's very dangerous and untoward; they brought upon themselves this position they are in...

We, the world, can't be exposed to an immense peril just because they employed idiots in high positions.